https://www.christopherstead.co.uk/portraiture-1 daily 1.0 2025-10-28 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324730427-6O3I1IAUD7X51K4HM0PY/IMG_0447_amend+copy.JPEG Portraiture Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets 600 x 274 x 238 cm Installed at the Pigeon Park 2 exhibition, Manor Place, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324730427-6O3I1IAUD7X51K4HM0PY/IMG_0447_amend+copy.JPEG Portraiture Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets 600 x 274 x 238 cm Installed at the Pigeon Park 2 exhibition, Manor Place, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1752069266829-RGZH6MQ291263CCRP2LB/image-asset.jpeg Portraiture Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Ghosts in the Machine documents graffiti and rave subculture in the wake of a post-Thatcher Britain, as a disenfranchised youth finds social cohesion and identity through the act of graffiti. Meanwhile, rave's rhetoric of social inclusion resisted the binaries of boredom, race, class and gender, making it one of its generation's most significant youth movements. Written through the eyes of two participant observers, Christopher Stead and Nema, as well as a foreword by the artist and activist Jonny Banger, the book contains imperfect histories, lucid anecdotes, and subcultural polemics to accompany archival photos that capture the spirit of intervention amid the oppressive political climates of the '90s and '00s questioning if the mass acceleration of communication has led to a freezing of time, leaving both seemingly stuck in a state of hauntological retrospection. Available from: Alias Press Hardback / 32 × 24 cm 360 pages / 2 paper types 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701441102301-VG8A7D02Y1CNHMIJ7L5V/INSTALL+ROOM+2+13.1.jpg Portraiture Installation view of the Autonomic Ambience Vol 1, solo presentation with Ruttkowski;68 At Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324521510-JVNZWFAJ5UTHOKFPMYD5/IMG_0366.jpeg Portraiture Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1668779987053-JTQE2YWQF03U8E0J1R14/IMG_0051+copy.jpeg Portraiture Syntax Error 200 x 285 x 12 cm Composite of repurposed computer parts, electrical wires, ropes, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint, then bound to recovered mattresses Part of the New Forms exhibition at Saatchi Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508101783712-LTS7MNPETLADZA7NDD8R/IMG_0741.JPG Portraiture - The Barracuda Dodging the Fishing Rod install view. Installation view at Silver Sehnsucht, London. Dimensions variable. 2017.   https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1663223825040-57JMXR1MQW8CA69UDYKA/DSC_0799+copy+3.jpg Portraiture Installation view at the New Forms exhibition Saatchi Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635340450981-5ZC853DCWU6T915W27XL/image-asset.jpeg Portraiture Monument to Nothingness. 400 x 500 x 295 cm. Resin, acrylic and oil treated ‘Tagliatelle’ canvas strips, recovered wires, stuffed gabions, wrapped steel poles and found steel armature. Part of the Pigeon Park exhibition at Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1602272938690-KSB019INKSC00PHFJ20A/IMG_0164.jpeg Portraiture Things Fall Apart. 600 x 400 x 30 cm. 130 kilos of hand-torn treated canvas and found wires, weaved into industrial netting. Five Hides exhibition, curated by Thorpstavri at Manor Place. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558001226626-4IENWJJ0NMIOLYY7MKOG/IMG_3387+2.jpeg Portraiture Acid Reign. Spray paint on canvas. Castle Kalkhorst, Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508101877920-I0N2UF6VLPN7M4O0ELY9/IMG_0741.JPG Portraiture The Barracuda Dodging the Fishing Rod. Dimensions variable. Install view at the Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206425315-DZI2K74CSPAQTMGIAQGF/IMG_0162.jpeg Portraiture T A G L I A T E L L E. 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P Show @ Royal College of Art, London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508100752929-4M7N4F46T1IKLQ7E5E0E/IMG_0741.JPG Portraiture - The Barracuda Dodging the Fishing Rod install view. Installation view at Silver Sehnsucht, London. Dimensions variable. 2017.   https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582205525521-X1BCWYREEDAMY9UA9SJN/image-asset.jpeg Portraiture T A G L I A T E L L E. 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P show @ RCA, London 2020. https://www.christopherstead.co.uk/heterotopic-tourism daily 0.75 2025-12-12 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1540678559341-P380Y91HZ1QJZQI5E1CB/IMG_0064.JPG heterotopic tourism. Low Voltage Experiments exhibition installation view. The Silver Building, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1540678559341-P380Y91HZ1QJZQI5E1CB/IMG_0064.JPG heterotopic tourism. Low Voltage Experiments exhibition installation view. The Silver Building, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1552905018481-RU5QLYM9TW45282ACSW8/IMG_0085.jpg heterotopic tourism. Haunted. Alkyd resin, acrylic, sand, copper, rubber, polyester and canvas. 254 x 211 cm. Lab Kalkhost, Kalkhorst, Germany, 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1554934099863-1GG1KDTN6TPBJLUXN6GG/IMG_0085+2.jpg heterotopic tourism. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1540820896614-RO4KU94GUBT5NLUULU67/WSMASTER.JPG heterotopic tourism. Weird Science (A Side). Sand, spray paint, acrylic, polyester, cotton and eyelets. 250 x 200 cm. Low Voltage Experiments @ The Silver Building, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1554580589962-XHP5MJB19P3JD10MJC8V/IMG_0085.jpg heterotopic tourism. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1542063893414-AD3EXRVGT78S0ZBHQ18M/IMG_0039.jpeg heterotopic tourism. Installation view at Mantra. Mixed Media. 600 x 680 x 440 cm. Stour Space, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1542063787977-DUCB6NFGO11ZWB7P67CU/IMG_0009+2.JPG heterotopic tourism. This Is Not A Love Song.. Sand, spray paint, acrylic, polyester, cotton and eyelets. 300 x 200 cm. Low Voltage Experiments @ The Silver Building, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1539540737972-O5IJV4WRH663FIQ6VI9I/IMG_0133.jpg heterotopic tourism. Toxic. Spray paint, sand, acrylic, cotton, debris netting, eyelets, polyester, canvas and a Estrella can. 270 x 182 cm. Moral Minimalism @ Aloïse, Barcelona 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1538524512179-9L2J9I65TRIGELW4YA8I/MASTER.jpg heterotopic tourism. Barceloneta Zoo. Spray paint, sand, acrylic, cotton, debris netting, eyelets, polyester, canvas and electrical wire. 210 x 298 cm. Moral Minimalism @ Aloïse, Barcelona 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1539212647500-GJPP7DGIKQEIN3LCNAED/IMG_0098.JPG heterotopic tourism. Lucid Larceny. Spray paint, gravel, acrylic, cotton, debris netting, eyelets, polyester, canvas and a Estella can. 200 x 160 cm. Moral Minimalism @ Aloïse, Barcelona 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1537429768630-MFBQWEEM4TBY2RVM65WM/IMG_0300.jpg heterotopic tourism. Exhibition view at Hack Morecambe, alongside Egs and Taehoon Yangah. Morecambe, Lancashire 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1544873644938-9FXEGCEGBS7HYD360F66/IMG_0047+2.jpeg heterotopic tourism. Theresa Got a Trap House. Spray paint, sand, gravel, cotton, diamond fence, eyelets, polyester, canvas and steel wire. 235 x 172 cm. The Silver Building, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1590334033940-CUDXHQT5HVXITXTNU8F7/M2SHOT.jpg heterotopic tourism. Freak Code / Weird Science. Exhibition view at Hack Morecambe, Morecambe, Lancashire 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1536614477600-4GRPZVTI2WD5JVL8W6UN/IMG_0353.jpg heterotopic tourism. Freak Code (A Side). Sand, spray paint, acrylic, polyester, cotton and eyelets. 250 x 200 cm. Hack Morecambe, Morecambe 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1536614532854-0UCHC7P1TSASGZDQ6M5I/IMG_0116.jpg heterotopic tourism. Freak Code (B Side). Debris netting, spray paint, acrylic, cotton and eyelets. 250 x 200 cm. Hack Morecambe, Morecambe 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1537432907792-YSHGLTMP6GC12YFPCJO6/MASTER.jpg heterotopic tourism. Weird Science (A Side). Sand, spray paint, acrylic, polyester, cotton and eyelets. 250 x 200 cm. Hack Morecambe, Morecambe 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1539378424104-YFSCL8TVOKEDZYC1VLUN/IMG_8040.JPG heterotopic tourism. Low tide sludge and pebble painting. North Greenwich, London 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1539379788957-ASCMO3K04578RRSWQF18/IMG_0215.JPG heterotopic tourism. Sand and popped can painting for Hack Morecambe. Morecambe Bay, Lancashire 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508199105230-C6ZE6I5Y64GI5RW1WZOW/IMG_0679+2.JPG heterotopic tourism. The Barracuda Dodging the Fishing Rod. Exhibition view at Silver Sehnsucht, The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508837466401-AAQJZLR5S6EWDJD7NDFD/IMG_0741.JPG heterotopic tourism. The Barracuda Dodging the Fishing Rod, with Filippo Minelli smoke bomb intervention. Exhibition view at the Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508497378763-8S5OGOJ6NC534BQZ032T/IMG_0504.JPG heterotopic tourism. Acid Reign. Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting. 300 x 195 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508497716863-TPQZ9AVV26JF9B3JOWGM/IMG_0538.JPG heterotopic tourism. Acid Reign (b side). Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting. 300 x 195 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508238103858-6Z7J9ADWVT2G5QO9GKP9/IMG_0506.JPG heterotopic tourism. Heterotopic Tourist. Alkyd resin, chain link fence, rope, iron, wood & shredded canvas. 250 x 174 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508235842395-6KI1SDWDQCTVN2DVSV18/IMG_0511.JPG heterotopic tourism. Blue Collar Flag. Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting. 300 x 195 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508237575411-JV51RCABID4OBSRWH6OM/IMG_0668.JPG heterotopic tourism. Blue Collar Flag (b side). Alkyd resin, acrylic, pigment, ink, dye, gravel, polyester, cotton, canvas & plastic debris netting. 300 x 195 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508238598507-C2R2B6QE2ZSYDD175WQF/IMG_0526.JPG heterotopic tourism. Heterotopic Tourist (b side). Alkyd resin, chain link fence, rope, iron, wood & shredded canvas. 250 x 174 cm. Silver Sehnsucht exhibition at The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508199178048-TVK4PKLIBK48LW3QUWT9/IMG_0652.JPG heterotopic tourism. The Barracuda Dodging the Fishing Rod. Exhibition view at Silver Sehnsucht, The Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508199088097-8CC5KPGS32C6K4EI6EFR/IMG_0741.JPG heterotopic tourism. The Barracuda Dodging the Fishing Rod, with Filippo Minelli smoke bomb intervention. Dimensions variable. Exhibition view at the Silver Building, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1532996324988-R7PKJYE27PRHG519JP53/IMG_0286.jpg heterotopic tourism. Barceloeta Zoo. Spray paint, sand, acrylic, cotton, debris netting, eyelets, polyester, canvas and electrical wire. 200 x 298 cm. London (2018). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1536585710631-D98KMR99QLUTS9Z106VE/IMG_0353.jpg heterotopic tourism. Freak Code (A Side). Sand, spray paint, acrylic, polyester, cotton and eyelets. 250 x 200 cm. Hack Morecambe, Morecambe (2018). https://www.christopherstead.co.uk/vandal-vernacular daily 0.75 2019-11-27 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508256458469-AZSO070MW5SGJHTI5T55/IMG_6561.JPG vandal vernacular. Vandal Safari 002. Mixed media. Dimensions variable. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508256458469-AZSO070MW5SGJHTI5T55/IMG_6561.JPG vandal vernacular. Vandal Safari 002. Mixed media. Dimensions variable. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255565585-02A8Y0NSDCVCGOKPSLIA/IMG_6656.jpg vandal vernacular. Vandal Safari 002 (detail). Mixed media. Dimensions variable. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508198714800-7YY0NN2E69ODUTGO0GQV/IMG_0088.jpg vandal vernacular. Heterotopic Tourist. Resin, fence, rope, iron, wood & shredded canvas. 250 x 174 cm. 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254526614-H2DIR8JW3HGWK7MBD2SC/IMG_0052.jpg vandal vernacular. NCP Car Park Rave. Concrete, alkyd resin, shredded canvas. 180 x 130 cm. After presents Glossary at Safe House, London 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254527503-U666NNHY9QJTWDD2GCWN/IMG_0066.jpg vandal vernacular. Drapes. Resin, tree, fence, wood & shredded canvas. 200 x 130 cm. Out of Sight at Proof Gallery, London 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254591443-KWIHBL2ME64CFD1DLHRN/IMG_8617.JPG vandal vernacular. Bumpkin Zoo. Alkyd resin, ink, bed springs, linen, hessian & cotton. 200 x 250 cm. After presents Glossary at Safe House, London 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508198712878-A5NGKUE5147NC1TTLZY2/IMG_8630.jpg vandal vernacular. Trespass. Alkyd resin, ink, soil, barbed wire, polyester, fence, granite, wood, cotton & fire. 260 x 172 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254566445-LJKTGHG4Y69W7RLPVIW3/IMG_8502.jpg vandal vernacular. Post-Austerity Aesthetics. Alkyd resin, ink, water colour, hessian, linen & cotton. 243 x 172 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254568621-1QJGPO4OLZJPBVSEG9UT/IMG_8522.jpg vandal vernacular. Post-Human Lasagne. Alkyd resin, ink, water colour, bleach, fire and cotton. 200 x 140 x 9 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254601308-J1L23LOP4AMS54ZSSPP0/IMG_9355.jpg vandal vernacular. Provisional Condition of Dystopic Surrender. Alkyd resin, ink, watercolour, fence, barbed wire, burnt polyester & canvas. 250 x 200 cm. 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254589312-TW8DCFD4SSP98GMF130E/IMG_9329.jpg vandal vernacular. Ephemeral State of Utopic Compromise. Alkyd resin, ink, watercolour, fence, barbed wire, polyester & canvas. 250 x 200 cm. 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255372623-1QYII02VE5L1OFX358D6/IMG_7962.jpg vandal vernacular. Detritus. Cardboard, paper, cotton, alkyd resin & fire. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255446821-02YO2S2X388J4SXE46PO/IMG_8026.jpg vandal vernacular. Detrimental Discourse. Cardboard, paper, acrylic ink, bleach, alkyd resin, leaves, fire and water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255444671-G02LC8GQIAV1ZMINZZDG/IMG_8002.jpg vandal vernacular. Air Speckle (L). Cardboard, fence, paper, alkyd resin, fire and water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255414389-SI9YI5J6NQBAM8UJTVED/IMG_7972.jpg vandal vernacular. Uncle Bulgaria. Alkyd resin, cardboard, paper, fence, fire & water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255463238-PRTJ06707V2T2QQSQN83/stead+new+2.jpg vandal vernacular. Air Speckle (R). Cardboard, fence, paper, alkyd resin, fire and water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255355811-UZNH4MRRBPUPQQLBOASZ/IMG_7957.jpg vandal vernacular. Burnt Lasagne (triple singe). Cardboard, fence, paper, fire and water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255381192-QCXAQZ4GKU4KJ02NYRO6/IMG_7971.jpg vandal vernacular. Fluro Fetish. Cardboard, alkyd resin & fence. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255409683-U8WT8QDIC76D9KVVSE4X/IMG_7995.jpg vandal vernacular. Womble Burner. Cardboard, paper, alkyd resin, fence, fire and water. 80 x 58 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508499357951-VK2Y343T0VPQ003Y24OB/stead+new+5.jpg vandal vernacular. Post-Prison Modernism. Oil, alkyd resin, fire, fence, barbed wire and linen. 170 x 115 cm. Liminal at The Ragged School Museum, London 2015 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255996840-HYZFTIINDYP3BOGIO399/IMG_1578.jpg vandal vernacular. Drunk Guard with a Gun. Oil, alkyd resin, fire, fence, canvas & shot 3 times with a Marlin Underlever .38 rifle. 170 x 115 cm. Make Your Mark Gallery, Helsinki, Finland. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508256036092-0I0QPYAA43VIHNWN67XV/IMG_1586.jpg vandal vernacular. Whole Car-Ism. Oil, alkyd resin, fence & hi-visibility vest on canvas. 170 x 115 cm. Make Your Mark Gallery, Helsinki, Finland 2015.   https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508256101236-F0IWIIFTRPLLKHNZSY83/IMG_8425.jpg vandal vernacular. Dysfunctional Dialect. Oil, alkyd resin, ink, water colour, rain, canvas and shot twice with a Marlin Underlever .38 rifle. 110 x 70 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508280870774-VVGF1FQZU9MSXKX8YO3C/VANDALVERNACULAR.jpg vandal vernacular. Vandal Vernacular. Oil, alkyd resin, fire, fence, rain, canvas and shot 4 times with a Marlin Underlever .38 rifle. 130 x 107 cm. Proof Gallery, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255667391-ZEHVJRKAQ7TSHQ0QQ7L4/IMG_6515.jpg vandal vernacular. Vandal Safari 001. Mixed media. Dimensions variable. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508256401732-9UP91G08Q1WX56IRVE6X/IMG_6516.JPG vandal vernacular. Vandal Safari 001 (detail). Mixed media. Dimensions variable. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508281809479-GQTF9LGHXVRWHYQXD3EO/Screen+Shot+2015-04-19+at+00.03.30.png vandal vernacular. Vandal Safari. Film still. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508281815621-EYW5R80NSL5FHIG2G3E0/Screen+Shot+2015-04-18+at+23.57.39.png vandal vernacular. Vandal Safari. Film still. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508281794016-NKUC1SMN965361ROG4GJ/Screen+Shot+2015-04-18+at+23.59.46.png vandal vernacular. Vandal Safari. Film still. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508281803267-EN6OOHLYBSOSFQQBB6QW/Screen+Shot+2015-04-19+at+00.09.40.png vandal vernacular. Vandal Safari. Film still. Liminal at The Ragged School Museum, London 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255643923-AURW8LZEAPCC425YRS87/IMG_1235.JPG vandal vernacular. Institutionalised. Oil paint, alkyd resin, fire, fence and canvas. 80 x 60 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508499357757-2DDIG0CCXIO9BID99BY5/stead+new+6.jpg vandal vernacular. Bumpkin Zoo 001. Alkyd resin, oil, fire, fence, and canvas. 76 x 50 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508976867831-P2BA3ECJTMZC5CATCXAU/IMG_1240+copy.jpg vandal vernacular. Bukkakeru. Oil paint, alkyd resin, fire, fence and canvas. 100 x 70 cm. 2015. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508280963066-2FO4A3F6YPA0W3ID0AVK/IMG_7199.JPG vandal vernacular. Disturbed dichotomy (self portrait). Oil, alkyd resin, fire, fence, hi-vis vest and canvas. 30 x 30 cm. LAX/ LHR at Stolen Space Gallery, London 2015. https://www.christopherstead.co.uk/chromophobia daily 0.75 2017-10-27 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254670441-KT9CWSYHBJICB520LLM5/IMG_0037.JPG chromophobia. Concrete Flower. Alkyd resin, pigment, acrylic, ink, gravel, polyester, polypropylene, glass, lavender leaves, canvas, cotton & wood. 152 x 122 cm. Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254670441-KT9CWSYHBJICB520LLM5/IMG_0037.JPG chromophobia. Concrete Flower. Alkyd resin, pigment, acrylic, ink, gravel, polyester, polypropylene, glass, lavender leaves, canvas, cotton & wood. 152 x 122 cm. Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254702389-OLEHVU9X08TECCJR2FXI/IMG_1320.jpg chromophobia. Fluro Formalism. Acrylic, polypropylene, polyester, cotton & canvas. 152 x 122 cm . Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254681276-W4H3SWYOILQL3232F4RJ/IMG_0004.JPG chromophobia. Gravestone. Alkyd resin, acrylic, ink, polypropylene, polyester, cotton, lavender leaves & canvas. 150 x 120 cm. Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255080497-P0N6RJT1W7AERX5CE9IH/LCL+10MB.jpg chromophobia. Low Culture Lasagne. Alkyd resin, fence & triple canvas. 243 x 172 cm. London, 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508254748152-YI6G7D9GNRDRI30LVGGD/IMG_1302.jpg chromophobia. Post Truth Jelly. Alkyd resin, acrylic, ink, polypropylene, polyester, cotton & canvas. 120 x 100 cm. 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255071235-FV1XA1ZSX8UN3K7M97IZ/IMG_9613.jpg chromophobia. 92 Ghost. Alkyd resin, ink, fire, fence, bush & double canvas. 170 x 130 cm. 2016.   https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255026114-UQ69RSU9IJSN95BILNVQ/IMG_9417.jpg chromophobia. Reject-Rap Lasagne. Alkyd resin, ink, watercolour, fire & triple canvas. 168 x 119 cm. 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255088593-M1Y6T6VP15D06R2GEDXN/IMG_9630.jpg chromophobia. Chromophobia 3. Alkyd resin, fire, fence, bush & double canvas. 170 x 130 cm . 2016. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508255045321-AOO9INK6CTRQIXM2VZLO/IMG_9401.jpg chromophobia. Chromophobia. Alkyd resin, fire, fence, and double canvas. 179 x 119 cm. 2016. https://www.christopherstead.co.uk/tagliatelle daily 0.75 2020-12-21 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1602274491075-7BFCNVL63G1SSAQSO441/IMG_0046+3.jpeg tagliatelle. Things Fall Apart. 600 x 400 x 30 cm. 130 kilos of hand-torn, treated canvas and found wires weaved into industrial netting. Five Hides exhibition, curated by Thorpstavri at Manor Place. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1602274491075-7BFCNVL63G1SSAQSO441/IMG_0046+3.jpeg tagliatelle. Things Fall Apart. 600 x 400 x 30 cm. 130 kilos of hand-torn, treated canvas and found wires weaved into industrial netting. Five Hides exhibition, curated by Thorpstavri at Manor Place. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206565454-T41ZHT49Q73R6OFGYVMA/IMG_0148.jpeg tagliatelle. T A G L I A T E L L E. 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P Show @ Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206582444-AWAKGGGVBHUV7Q7AX6PX/IMG_0140.jpeg tagliatelle. T A G L I A T E L L E. 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P Show @ Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206603443-AMSC68KLODK4QCW5S1ZX/IMG_0205.jpeg tagliatelle. T A G L I A T E L L E. 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P Show @ Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206619123-OIPP4M58WOOQ6O0PHO6S/IMG_0153.jpeg tagliatelle. T A G L I A T E L L E (detail). 45 X 170 X 170 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. W I P Show @ Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608581604052-TZUHRXFYJN2FDTYMIQPC/image-asset.jpeg tagliatelle. C Creature. 40 x 20 cm Composite of recovered fishing nets & ‘tagliatelle’ trimmings in a wooden frame. Private collection 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1590334358327-HPSVXO24P215DBLP516D/IMG_0467.jpeg tagliatelle. JUNGLE. 40 x 30 x 7 cm. Alkyd resin, acrylic, cotton, polyester, polyethylene, electrical wire and a sock. Private collection 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586826778928-R0XHO6HGAX9E05KI6ORO/IMG_0092.jpeg tagliatelle. CIRCUIT. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. 25 x 22 x 8 cm. Private collection 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586822069900-285TW1T2DP5QYY6MY8Y3/image-asset.jpeg tagliatelle. TELEPHONE. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper and wood. 80 x 60 cm. Private collection 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206650656-CXQGKCWYX2Q5IE2L75MQ/CHRIS+STEAD.jpeg tagliatelle. Pest Control. 40 x 30 cm. Acrylic, alkyd resin, duck cotton, polyethylene nets, rubber, copper, steel and wood. Up @ Jealous Gallery, London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1582206631933-JQ8ZV1GYB03WWZO6NBIL/IMG_0080.jpeg tagliatelle. Microwave. 10 x 10 x 3 cm. Acrylic, alkyd resin, duck cotton, polyethylene, polyester and wood. Snapshot @ Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1538893297998-OMQBR3OF8VPDQLEPGSJA/IMG_0171.jpg tagliatelle. Wired. Alkyd Resin, acrylic, raw pigment, varnish, PVA, plastic, electrical wire, concrete and cotton. Dimensions variable. Hack Morecambe @ Gas Contemporary, Morecambe 2018. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508234984273-QCP0XT04L8Y8GXR3ZDVV/CHRIS+STEAD+Tangled.jpg tagliatelle. Tangled. Alkyd resin, acrylic, ink & tangled canvas. 102 x 82 cm Unruly Gallery, Amsterdam 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508234854057-NWJPDEF9ATD43UHA3OP7/IMG_0091.jpg tagliatelle. Acid Tagliatelle. Alkyd resin, acrylic, ink, dye, watercolour, canvas, cotton, polypropylene, hessian and wood. 150 x 120 cm. Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508234873095-MLE7QVQFPQSJSSEKKL1K/IMG_7262.JPG tagliatelle. Sorry I Haven’t Been Myself Lately. Alkyd resin, acrylic, ink, dye, watercolour, canvas, cotton, polypropylene & wood. 120 x 100 cm. Proof Gallery, London 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1508234992462-KMATHE8AGZ9Z3BODBFO2/IMG_9322.JPG tagliatelle. Trapped. Alkyd resin, acrylic, ink, chain link fence & tangled canvas. 102 x 64 cm. Unruly Gallery, Amsterdam 2017. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1522196154938-YC1J8FHN06NJL20M8EUO/IMG_0972.JPG tagliatelle. Wired. Alkyd Resin, acrylic, raw pigment, varnish, PVA, plastic, electrical wire, concrete and cotton. Dimensions variable. 2018. https://www.christopherstead.co.uk/prints daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1758715592274-XANKDALTSV0VKIH06MN6/CHILDREN+OF+THE+RAVE+MASTER+copy.jpeg 20th century rave classics : print archive (2014 - 2025) Children of the Rave: (An Imperfect History of Post-millennial Rave and Revelry) 8 Colour Screenprint with Varnish Overlay / Somerset satin white 410gsm paper 75 X 55 cm / signed edition of 180 Printed by Jealous Studio / 2025 £195 : shop here https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1758714384361-7QK1S5Q9Z4HB7971B45U/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) Children of the Rave: (An Imperfect History of Post-millennial Rave and Revelry) 8 Colour Screenprint with Varnish Overlay / Somerset satin white 410gsm paper 75 X 55 cm / signed edition of 180 Printed by Jealous Studio / 2025 £195 : shop here https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1758715592274-XANKDALTSV0VKIH06MN6/CHILDREN+OF+THE+RAVE+MASTER+copy.jpeg 20th century rave classics : print archive (2014 - 2025) Children of the Rave: (An Imperfect History of Post-millennial Rave and Revelry) 8 Colour Screenprint with Varnish Overlay / Somerset satin white 410gsm paper 75 X 55 cm / signed edition of 180 Printed by Jealous Studio / 2025 £195 : shop here https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1704150437381-1J1EOJS81BRMJ1YG5705/MASTER+2++copy.jpeg 20th century rave classics : print archive (2014 - 2025) Radical Radio : Pirate Radio Classics 1990 - 2010 7 Colour Screen print on Somerset Satin White 410gsm Paper 55 x 75 cm Edition of 80 Woolwich Original Print Fair with Jealous Gallery 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649254034907-H4N6C8WZSG9VQ6APCL7J/MASTER.JPG 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics : Counterculture Cassette Library 120 x 100 cm / Edition of 30 7 colour screen-print on Somerset satin white 410gsm Paper London Original Print Fair with Jealous Gallery at Somerset House 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1621429231888-J19YR60JFT9TE4ARL8E8/MASTER.jpg 20th century rave classics : print archive (2014 - 2025) 20th Century Rap Classics : Buttery Biscuits. 7 Colour Screen print on Somerset Satin White 410gsm Paper. 55 x 75 cm. Edition of 60. London Original Print Week @ Jealous Gallery (2021). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649253759254-9Z0DOV14GIMA9N4RM1JF/MASTER.JPG 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics : Counterculture Cassette Library 120 x 100 cm Edition of 30 Composite of 350 cassettes, containing live recordings from raves, circa 1991-99 7 colour screen-print on Somerset satin white 410gsm Paper Printed by Jealous https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1596029414291-CBCNQ6GP6XUOLLNS1C0Q/MASTER.jpeg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics : Mixtape Museum. 6 Colour Screen print on Somerset Satin White 410gsm Paper. 55 x 75 cm. Edition of 60. Jealous Gallery (2020). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608582364207-F8VKGTSW5KOPH4J8J5IB/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) Time Capsule. 183 hand-drawn mixtapes, flyers and paraphernalia in a metal cabinet. Wavey Garms Xmas Pop Up, Soho. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608582707184-YAURLHMSPQ7P5RWNT7H1/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) Time Capsule. 183 hand-drawn mixtapes, flyers and paraphernalia in a metal cabinet. Wavey Garms Xmas Pop Up, Soho. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608582630372-C8GMIFTYWBQ21I2EQAM0/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) Time Capsule. 183 hand-drawn mixtapes, flyers and paraphernalia in a metal cabinet. Wavey Garms Xmas Pop Up, Soho. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608583015993-P82VWIKV51T57UN5G9CD/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) Wavey Garms Xmas Pop Up with Mark Leckey and Sports Banger. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1601938567905-OFPLEANSTN3VX66UGXZT/image-asset.jpeg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics : The Missing Shoebox. Archival Inkjet with Varnish Overlay / Somerset Satin Enhanced 330gsm Paper.⠀⠀⠀⠀⠀⠀⠀⠀ 39 x 31.5 cm. Edition of 125. The Art Car Boot Fair with Jealous Gallery (2020). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1576565387780-NTZPXQWIGVWRX69KV1YD/IMG_0031.jpeg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics (92 ‘Til Infinity). 6 Colour Screen print on Somerset Satin White 410gsm Paper. 55 x 75 cm. Affordable Art Fair Battersea, London (2019). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1557652184579-VVRA6VDOGH0RLKAMOPK6/IMG_0396.jpeg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics (B Sides). 8 Colour Screen print on Somerset Satin White 410gsm Paper. 55 x 75 cm. Affordable Art Fair Hampstead, London (2019). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1538892842011-S2ELNBRIIF1QYJQRFQ53/IMG_0018+2.jpg 20th century rave classics : print archive (2014 - 2025) 20th Century Rap Classics (The Purple Tape). 7 Colour Screenprint on Somerset Satin White 410gsm Paper. 75 x 55 cm. Jealous Gallery @ Moniker Art Fair, London (2018). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1532296836612-SLRW42OG8L6L38C9DK6E/IMG_0275.jpg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics. 5 Colour Screenprint on Somerset Satin 300gsm Paper. 75 x 55 cm. Jealous Needs You @ Saatchi Gallery, London (2018). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1532297855491-RI5D5OFVI1R07RCT64A7/IMG_2774.JPG 20th century rave classics : print archive (2014 - 2025) Wu Tang are the Black Beatles. Photographic Print. 20 x 30 cm. Wu Tang is for the Children @ Londonewcastle, London (2014). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1532296788339-YJKH8INCJCTSYSENIEHY/IMG_0275.jpg 20th century rave classics : print archive (2014 - 2025) https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574817224099-CYQAX863J6QEGPMNXYI5/IMG_0143.jpeg 20th century rave classics : print archive (2014 - 2025) 20th Century Rave Classics (92 ‘Til Infinity). 6 Colour Screen print on Somerset Satin White 410gsm Paper. 55 x 75 cm. Affordable Art Fair Battersea, London (2019). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1596029279549-U73MYU9HWRL50G9VOBWE/MASTER+MASTER.JPG 20th century rave classics : print archive (2014 - 2025) https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574817067647-GHP76X1L8YWKBMJ4BHXQ/IMG_0143.jpg 20th century rave classics : print archive (2014 - 2025) https://www.christopherstead.co.uk/acid-reign-2019 daily 0.75 2022-06-19 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586819835784-RY8PQU2P84CMXWO7N83I/image-asset.jpeg acid reign (2019 - 21) Installation view at the Up, Up & Away exhibition with Pamela Evelyn, Ellie Dragone & Safira Taylor. Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586819835784-RY8PQU2P84CMXWO7N83I/image-asset.jpeg acid reign (2019 - 21) Installation view at the Up, Up & Away exhibition with Pamela Evelyn, Ellie Dragone & Safira Taylor. Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586818646948-3ZZ5UX3SSZOB8HV2QCBW/image-asset.jpeg acid reign (2019 - 21) Ghost In The Machine. Polyethylene, alkyd resin, sand, acrylic, cotton, brass and steel. 654 x 300 x 160 cm. Up, Up & Away exhibition, Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1629803345289-N3Z7UA2C9K70B0GMYZ1S/image-asset.jpeg acid reign (2019 - 21) Pink Mist. 150 X 120 cm. Resin and sand painting on canvas with brass eyelets. London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586819183449-U07WBUEW0RCOHCQUJSWP/image-asset.jpeg acid reign (2019 - 21) Installation view at the Up, Up & Away exhibition with Pamela Bartlett, Ellie Dragone @ Safira Taylor. Hockney Gallery, RCA. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586821414343-2JR964A53AVUB46VVNHP/image-asset.jpeg acid reign (2019 - 21) Ghost In The Machine. Polyethylene, alkyd resin, sand, acrylic, cotton, brass and steel. 654 x 300 x 160 cm. Up, Up & Away exhibition, Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1586821132968-23XOOPXQJ3RFIML4HWAK/image-asset.jpeg acid reign (2019 - 21) Ghost In The Machine. Polyethylene, alkyd resin, sand, acrylic, cotton, brass and steel. 654 x 300 x 160 cm. Up, Up & Away exhibition, Hockney Gallery, Royal College of Art. London 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1608579970092-RU12VG9IBCW8JMA48KF5/image-asset.jpeg acid reign (2019 - 21) Fold World. 90 x 70 cm. Resin and brass on canvas. Together group exhibition @ Oakland Gallery. Liverpool 2020. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574849321473-2IW5NJ2FVW5WTSFKK4MT/IMG_0177.jpeg acid reign (2019 - 21) Shadow Of My Former Self. 300 x 388 cm. Polyethylene net, canvas, acrylic, PVA, brass eyelets & steel rod. Cutting Together Apart exhibition @ Dyson Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1576714864399-U13CEQ0NHEBKTJVITWEG/IMG_0450.jpeg acid reign (2019 - 21) Pirate pop ups. Hockney Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574817563507-TU6KLR2QA2GCPYBP7758/IMG_0278.jpeg acid reign (2019 - 21) The Devil Wears Fishnets. 320 x 224 cm. Polyethylene net, canvas, acrylic, PVA, brass eyelets & steel rod. Cutting Together Apart @ Dyson Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574818168815-B2SNIK4CE52J2IMO60E4/IMG_0068.jpeg acid reign (2019 - 21) Installation View from the Cutting Together Apart exhibition. Dyson Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574849608544-VWEIB7XY9PI3CMXR8AIP/IMG_0104.jpeg acid reign (2019 - 21) Installation View from the Cutting Together Apart exhibition. Dyson Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1574817547291-G7DQSC94Q91ZQSF2K796/IMG_0057.jpeg acid reign (2019 - 21) Installation View at the Cutting Together Apart group exhibition. Dyson Gallery, Royal College of Art. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570318632345-3RQMIPOD09738G7IE5JQ/IMG_0176.jpeg acid reign (2019 - 21) Sugar Mountain installation view. Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 410 x 480 x 460 cm. The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570319520909-BB95QU6PD9D2PZTL16MC/IMG_0226.jpeg acid reign (2019 - 21) ACIDIC BLOC installation view. Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 410 x 480 x 460 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570320495133-R28P1P7UOOZ7HV77C18V/IMG_0269.jpeg acid reign (2019 - 21) ACIDIC BLOC (detail). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 380 x 180 x 180 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570322716966-Y7NOUNNU2SEY04LWI27N/IMG_0293.jpeg acid reign (2019 - 21) ACIDIC BLOC (detail). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 380 x 180 x 180 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570319859898-GCJBQL42DEFZW7U1M1NI/IMG_0184.jpeg acid reign (2019 - 21) ACIDIC BLOC. Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 380 x 180 x 180 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1576714606878-U02IB0LYYAZZLS48GKW5/IMG_0450.jpeg acid reign (2019 - 21) Installation View at the Hockney Gallery, RCA, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570322769185-1GFIS9TWLUU0V4WSDCH1/IMG_0295.jpeg acid reign (2019 - 21) ACIDIC BLOC (detail). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. 380 x 180 x 180 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1570317768073-J77F5YRY2OF4P0TZMK00/IMG_0363.jpeg acid reign (2019 - 21) Haunted. Alkyd resin, acrylic, sand, copper, rubber, polyester and canvas. 254 x 211 cm. Sugar Mountain @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558993630109-F25G5AU7WIKMV2CDF711/IMG_0455.jpeg acid reign (2019 - 21) Underground, Overground (Wobbling Free). Spray paint, sand, gravel, polyester, brass, rubber & cotton. 235 x 172 cm. Underground on the Up exhibition @ The Silver Building, London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558957718508-M9AM9MKNU69SO8G6MD8A/IMG_0477.jpeg acid reign (2019 - 21) Nike Dyson (A Side). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. Double sided / 260 x 216 cm. Acid Reign @ Urban Spree, Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558957961881-E68UZ6TI26VTJ4VBSVQ0/IMG_0516.jpeg acid reign (2019 - 21) Acid Reign (solo show) installation view @ Urban Spree. Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558957743505-68DZX4NN0VRBE981L5AB/IMG_0510.jpeg acid reign (2019 - 21) Acid Reign (solo show) installation view @ Urban Spree. Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558957798722-G00NPWPJ0UVN7KQJUDUS/IMG_0496.jpeg acid reign (2019 - 21) Acid Reign (solo show) installation view @ Urban Spree. Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1576714437283-CCP4W262EL02XFCVLE5S/IMG_0450.jpeg acid reign (2019 - 21) Installation View from the Cutting Together Apart exhibition. Dyson Gallery, RCA. London 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558958107408-Z9QK9QRU8RYJPPPI10W8/IMG_0506.jpeg acid reign (2019 - 21) Acid Reign (solo show) installation view @ Urban Spree. Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558958188543-1L7M8TOSO6OP7YS1ZQ74/IMG_0535.jpeg acid reign (2019 - 21) Loco Motif (B Side). Alkyd resin, acrylic, sand, brass, rubber, polyester, polyethylene, canvas and steel. Double sided / 266 x 213 cm. Acid Reign @ Urban Spree, Berlin , Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558958223051-88MOH9YZA4IENQB1CKQT/IMG_0502.jpeg acid reign (2019 - 21) Acid Reign (solo show) installation view @ Urban Spree. Berlin, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918962532-3NOW134MUJYSO4LK8RP0/IMG_3387.jpeg acid reign (2019 - 21) Acid Reign. Spray paint on canvas. 180 x 130 cm. Castle Kalkhorst, Kalkhorst, Germany (2019). https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918469824-GCLYXTBA862T133P6KOK/IMG_0227.jpg acid reign (2019 - 21) Heterotopic Tourism installation view @ Lab Kalkhorst. Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558915094695-8S2QL60MY2XGY5SA7KL3/IMG_0189.jpg acid reign (2019 - 21) Darth Punq. Acrylic, alkyd resin, brass, rubber, polyethylene, polyester, cotton and steel. Double sided / 252 x 196 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918631619-18H5E2VON4AC83AVJY21/IMG_0187.jpg acid reign (2019 - 21) Heterotopic Tourism installation view @ Lab Kalkhorst. Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918405557-41KJR98PZQ6YO7DSDOCS/IMG_0274.jpg acid reign (2019 - 21) Darth Punq (detail). Acrylic, alkyd resin, brass, rubber, polyethylene, polyester, cotton and steel. Double sided / 252 x 196 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558915124014-11DHJYKN0L6PNJ61FXVJ/IMG_0197.jpg acid reign (2019 - 21) Darth Punq. Acrylic, alkyd resin, brass, rubber, polyethylene, polyester, cotton and steel. Double sided / 252 x 196 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558917096675-P428SYV8NVNWQSFBV302/IMG_0133.jpeg acid reign (2019 - 21) Nike Dyson (A Side). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. Double sided / 260 x 216 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558914633152-KZKTG8VJ4G2UI2JMTIWD/IMG_0014.jpg acid reign (2019 - 21) Nike Dyson (B Side). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. Double sided / 260 x 216 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558919292272-P3X6OLMMRNHX9CPAZ98B/IMG_0038.jpg acid reign (2019 - 21) Nike Dyson (B Side detail). Alkyd resin, sand, brass, rubber, polyethylene, canvas and steel. Double sided / 260 x 216 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918261978-OFNPFRQ27MKO35RVYI29/IMG_0124.jpeg acid reign (2019 - 21) Loco Motif (A Side). Alkyd resin, acrylic, sand, brass, rubber, polyester, polyethylene, canvas and steel. Double sided / 266 x 213 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918351842-K5GSG8901F3KGOA3247K/IMG_0060.jpg acid reign (2019 - 21) Loco Motif (B Side detail). Alkyd resin, acrylic, sand, brass, rubber, polyester, polyethylene, canvas and steel. Double sided / 266 x 213 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558918331891-LWAE80ZR8TUCKXUO4CPI/IMG_0089.jpg acid reign (2019 - 21) Loco Motif (B Side detail). Alkyd resin, acrylic, sand, brass, rubber, polyester, polyethylene, canvas and steel. Double sided / 266 x 213 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558917482153-TGJXDEXB5ZGR7F1U5H0U/IMG_0175.jpeg acid reign (2019 - 21) Loco Motif (B Side). Alkyd resin, acrylic, sand, brass, rubber, polyester, polyethylene, canvas and steel. Double sided / 266 x 213 cm. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558912953183-YM6VM59G8E65QKH8QH1B/IMG_0126.jpg acid reign (2019 - 21) Haunted. Alkyd resin, acrylic, sand, copper, rubber, polyester and canvas. 254 x 211 cm. Lab Kalkhost, Kalkhorst, Germany, 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558917220625-U50YYN9CO9DJPTNK2WGI/IMG_0181.jpg acid reign (2019 - 21) Basil brush. Can popping instrument. Heterotopic Tourism @ Lab Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558955761859-RBSCY22GHXP8PZXXZBCF/IMG_0889.jpeg acid reign (2019 - 21) Popped can and sand painting on the coast of the Baltic Sea, as part of the Lab Kalkhorst residency. Kalkhorst, Germany 2019. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1558910997799-ATSZDNIEDXAHDZD6Y6HE/HAUNTED.jpg acid reign (2019 - 21) https://static1.squarespace.com/static/59e3c0c9aeb6251a433583d0/5ceb101c9140b745b6f5928b/5ceb1a68f9619a25f96556e0/1558911608649/ acid reign (2019 - 21) https://www.christopherstead.co.uk/twenty-twenty-one daily 0.75 2023-04-24 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635275393674-Q468VAKHLOCCYW02L0QK/IMG_0086.jpeg twenty twenty-one (2021) Odd Oasis. 570 x 260 x 160 cm. Resin and sand drapes, brass eyelets, steel fence, aluminium tower, & Jano XLN 25i speaker playing 20th Century Rave Classics sound piece ( 1 hour 19 min loop). It Happens Sometimes, People Just Explode, part of the Thorp Stavri produced exhibition The Factory Project, at The Factory E16, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635275393674-Q468VAKHLOCCYW02L0QK/IMG_0086.jpeg twenty twenty-one (2021) Odd Oasis. 570 x 260 x 160 cm. Resin and sand drapes, brass eyelets, steel fence, aluminium tower, & Jano XLN 25i speaker playing 20th Century Rave Classics sound piece ( 1 hour 19 min loop). It Happens Sometimes, People Just Explode, part of the Thorp Stavri produced exhibition The Factory Project, at The Factory E16, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635275426504-XO4G8KTPUKXZ1IIXNPEU/IMG_0033.jpeg twenty twenty-one (2021) Odd Oasis. 570 x 260 x 160 cm. Resin and sand drapes, brass eyelets, steel fence, aluminium tower, & Jano XLN 25i speaker playing 20th Century Rave Classics sound piece ( 1 hour 19 min loop). It Happens Sometimes, People Just Explode, part of the Thorp Stavri produced exhibition The Factory Project, at The Factory E16, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635275616339-KXAFJRATF2BKVHXYQ1CZ/IMG_0042.jpeg twenty twenty-one (2021) Detail from Odd Oasis. 570 x 260 x 160 cm. Resin and sand drapes, brass eyelets, steel fence, aluminium tower, & Jano XLN 25i speaker playing 20th Century Rave Classics sound piece ( 1 hour 19 min loop). It Happens Sometimes, People Just Explode, part of the Thorp Stavri produced The Factory Project, at The Factory E16, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635270154190-CHD8VSFX7PR41MR4Y90G/IMG_0068.jpeg twenty twenty-one (2021) Monument to Nothingness. 400 x 500 x 295 cm. Resin, acrylic and oil treated ‘Tagliatelle’ canvas strips, recovered wires, stuffed gabions, wrapped steel poles and found steel armature. Part of the Pigeon Park exhibition at Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635270121264-XZ1GK6Y68SQWEVJET8FY/IMG_0150.jpeg twenty twenty-one (2021) Monument to Nothingness. 400 x 500 x 295 cm. Resin, acrylic and oil treated ‘Tagliatelle’ canvas strips, recovered wires, stuffed gabions, wrapped steel poles and found steel armature. Part of the Pigeon Park exhibition at Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635270289744-V9WGHFEC92VTV5WEJ0BF/IMG_0047.jpeg twenty twenty-one (2021) Detail from Monument to Nothingness. 400 x 500 x 295 cm. Resin, acrylic and oil treated ‘Tagliatelle’ canvas strips, recovered wires, stuffed gabions, wrapped steel poles and found steel armature. Part of the Pigeon Park exhibition at Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635270320394-4HV0QHUMALWTWGOTFXQI/IMG_0138.jpeg twenty twenty-one (2021) Detail from Monument to Nothingness. 400 x 500 x 295 cm. Resin, acrylic and oil treated ‘Tagliatelle’ canvas strips, recovered wires, stuffed gabions, wrapped steel poles and found steel armature. Part of the Pigeon Park exhibition at Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635272718038-SGPS59I0WYKAVG923KI6/IMG_0158.jpeg twenty twenty-one (2021) Installation view of the Pigeon Park exhibition. Curated by Stephen Burke, Jo Dennis and Christopher Stead. Manor Place, London 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635340717382-OOFEV2PHTT941RIIG9G7/IMG_0156+%28edited%29.jpeg twenty twenty-one (2021) Wasabi. 495 x 295 cm. Resin and acrylic sand painting with brass eyelets and polyethylene rope. Part of the Post>andalism exhibition at the Het HEM, Amsterdam, Netherlands 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635340754591-XHZBCRWKID37SB7F8L8O/IMG_5973.jpeg twenty twenty-one (2021) Wasabi. 495 x 295 cm. Resin and acrylic sand painting with brass eyelets and polyethylene rope. Part of the Post>andalism exhibition at the Het HEM, Amsterdam, Netherlands 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635418458503-LAKKS6F1KNQN7733S3XE/LOVE+SONG+1.jpeg twenty twenty-one (2021) Love Song. 50 x 40 cm. Resin and acrylic sand painting with brass eyelets and polyethylene rope. Part of the Post>andalism exhibition at the Het HEM, Amsterdam, Netherlands 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635418554220-Z3R7T5PY4VM1DH6CN2VD/ROPEY+ONE.jpeg twenty twenty-one (2021) Ropey One. 50 x 40 cm. Resin and acrylic sand painting with brass eyelets and polyethylene rope. Part of the Post>andalism exhibition at the Het HEM, Amsterdam, Netherlands 2021. https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1635418504975-3S8YUVA9G87NIJHMDGE5/HOLEY+ONE.jpeg twenty twenty-one (2021) Holey One. 50 x 40 cm. Resin and acrylic sand painting with brass eyelets and polyethylene rope. Part of the Post>andalism exhibition at the Het HEM, Amsterdam, Netherlands 2021. https://www.christopherstead.co.uk/twentytwentytwo daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1664290057529-NASPFGK21XIAO2W9QHD7/IMG_0447_amend.JPEG twenty twenty-two (2022) Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets 600 x 274 x 238 cm Installed at the Pigeon Park 2 exhibition, Manor Place, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1664290057529-NASPFGK21XIAO2W9QHD7/IMG_0447_amend.JPEG twenty twenty-two (2022) Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets 600 x 274 x 238 cm Installed at the Pigeon Park 2 exhibition, Manor Place, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1664288968433-SK9XOQM329FV33REHOXD/IMG_0255_v2.JPG twenty twenty-two (2022) Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets Part of the Pigeon Park 2 exhibition, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1664288469583-OGDN51L2WLS8432QYUC4/IMG_0490.jpeg twenty twenty-two (2022) Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets Part of the Pigeon Park 2 exhibition, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1664289087569-SV2FVLCYGNN9LHEI1AY9/IMG_0330.jpeg twenty twenty-two (2022) Detail from Hung Out to Dry Gleaned electrical wires, ropes, and hand-torn ‘tagliatelle’ woven into industrial netting and hung with polymer-lichen canvas and printed debris nets Part of the Pigeon Park 2 exhibition, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1663223136845-NBQF8LVSI06L7LYWP6L6/DSC_0799+copy+3.jpg twenty twenty-two (2022) Installation view at the New Forms exhibition Saatchi Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1663223003813-C6TZ2RQIN25ED2P53Y3P/DSC_0771+copy+2.jpg twenty twenty-two (2022) Syntax Error 200 x 285 x 12 cm Composite of repurposed computer parts, electrical wires, ropes, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint, then bound to recovered mattresses Part of the New Forms exhibition at Saatchi Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1663280765472-2TS3VM9HXMW08MRCUX6Y/FINAL+3.jpg twenty twenty-two (2022) Tree of Thorns 230 x 162 x 35 cm Composite of repurposed ropes, wires and hand-torn treated canvas, bound to a recovered mattress Part of the New Forms exhibition at Saatchi Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649243252258-2DPVQY3UGV8Q89JAWII3/DSC07598.JPG twenty twenty-two (2022) Syntax Error 200 x 285 x 12 cm Composite of repurposed computer parts, electrical wires, ropes, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint, then bound to recovered mattresses Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649243733698-5G53QSS8KYM9QEBBRA3E/FINAL+1.jpg twenty twenty-two (2022) Peppered Poetry 200 x 160 cm Alkyd resin and acrylic, sand-painting with brass eyelets and polyethylene rope Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649246644400-JVYA74WXLC07FKFC37OM/DSC07539.JPG twenty twenty-two (2022) Entanglement 60 x 45 cm Recovered electrical wires, fishing nets, ropes and studio detritus, bound to bedsprings Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649246971712-NJ1SDO9LJ151CAIZSIYR/FINAL+2.jpg twenty twenty-two (2022) Ghostly Grammar 200 x 160 cm Alkyd resin and acrylic, sand-painting with brass eyelets and polyethylene rope Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649246683708-2VBFAPBDT1FWHZNS9XM8/IMG_0289.jpeg twenty twenty-two (2022) You Turn Me Inside Out Dimensions variable Composite of repurposed / electrical wires, rope, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649246565109-OAZA9XVCFEOZGE42CSM8/DSC07506.JPG twenty twenty-two (2022) Autumn’s Acid 200 x 160 cm Alkyd resin and acrylic sand-painting with brass eyelets and polyethylene rope Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649249630009-RC52L0S0OBOWAJT52LYJ/DSC07676.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649249515457-XLIE5NAD1S3433MLSDFS/DSC07621.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649249574086-XUDGTIOAJ6X2PPTMN04E/DSC07653.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649246918941-G39990252E8T2F9S9JPS/DSC07648.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649250426798-SUZ0FJ705WOHKRM3NQKY/DSC07673.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649250249478-5SFKJ94QZ20FRHEL98R1/DSC07635.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649251048121-ZUOACYCA1JDB1PS0NOUS/DSC07665.JPG twenty twenty-two (2022) Installation view of the solo exhibition You Turn Me Inside Out Fold Gallery London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649254305728-1VWX1A1J9E0GPZK2E72X/IMG_0304.jpeg twenty twenty-two (2022) Entanglement (detail) 60 x 45 cm Recovered electrical wires, fishing nets, ropes and studio detritus, bound to bedsprings Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649254542161-MX1QPR249SUC48DARND2/IMG_0440.jpeg twenty twenty-two (2022) Syntax Error (detail) 200 x 285 x 12 cm Composite of repurposed computer parts, electrical wires, ropes, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint, then bound to recovered mattresses Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649254902127-H2P1HIO28WXZB9JIJVBD/IMG_0241.jpeg twenty twenty-two (2022) You Turn Me Inside Out (detail) Dimensions variable Composite of repurposed electrical wires, rope, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649255090737-K8B5DQQAK32S01GTZVUE/IMG_0233.jpeg twenty twenty-two (2022) You Turn Me Inside Out (detail) Dimensions variable Composite of repurposed electrical wires, rope, nets and hand-torn canvas, treated with alkyd resin, acrylic and oil paint Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1649255288347-DW8C5PEB1HRP8MOJZ4EX/IMG_0326.jpeg twenty twenty-two (2022) Tree of Thorns (detail) 230 x 162 x 35 cm Composite of repurposed ropes, wires and hand-torn treated canvas, bound to a recovered mattress Part of the You Turn Me Inside Out solo exhibition at Fold Gallery, London 2022 https://www.christopherstead.co.uk/twenty-twentythree-2023 daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1762277387020-N08HJUSDZ407934CQAT6/image-asset.jpeg twenty twenty-three to four (2023-24) ’92 ’til Infinity (€xport Edition) Sand-infused polymer and resin on canvas and polyester with archived paraphernalia 220 x 180 cm Part of the group presentation Eurostarz with TICK TACK, in Antwerp, Belgium 2024 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1762277387020-N08HJUSDZ407934CQAT6/image-asset.jpeg twenty twenty-three to four (2023-24) ’92 ’til Infinity (€xport Edition) Sand-infused polymer and resin on canvas and polyester with archived paraphernalia 220 x 180 cm Part of the group presentation Eurostarz with TICK TACK, in Antwerp, Belgium 2024 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1704137237699-V2PS915EOYSXWP0Y4O49/IMG_0061.jpeg twenty twenty-three to four (2023-24) Motif Safari & Digital Jungle Sand infused resin and acrylic on canvas and polyester 280 x 220cm Part of the Studio Response 4 group presentation now on at Saatchi Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691317549230-0B9JH83Q8OG0IPL3RR79/DSC05795.JPG twenty twenty-three to four (2023-24) Drifters (002) Polymer-pressed recovered debris-net with brass eyelets and steel rope 256 x 200cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1705251271744-C1Q1U57LB7WOKWMGL117/Saatchi+ArtChange+StudioResp+MattChungPhoto+hi-res+%2855%29.jpg twenty twenty-three to four (2023-24) Installation view of the Studio Response 4 group presentation Gallery 4, Saatchi Gallery, London 2023 Show runs until 11th February 2024 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1709135447541-QNLIA44IWIT4OHW1D2MJ/IMG_0042.jpeg twenty twenty-three to four (2023-24) Motif Safari Resin and acrylic on canvas and polyester 280 x 220cm Part of the Studio Response 4 group presentation now on at Saatchi Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1704137973661-7VILQE7WALX701WJ5LI4/IMG_0071.jpeg twenty twenty-three to four (2023-24) Digital Jungle Sand infused resin and acrylic on canvas and polyester 280 x 220cm Part of the Studio Response 4 group presentation now on at Saatchi Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701806310314-K0Q3L2LG7D4EF2Y167N8/INSTALL+ROOM+2+13.1.jpg twenty twenty-three to four (2023-24) Installation view of the Autonomic Ambience Vol 1, solo presentation with Ruttkowski;68 At Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701806970655-DT6ET8GM6HFJ8B4VSZ5E/11.9.jpg twenty twenty-three to four (2023-24) Installation view of the Autonomic Ambience Vol 1, solo presentation with Ruttkowski;68 At Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701805928440-4K8Z6M9JBM8O8FT18LSM/NO+FUTURE+18MB.jpg twenty twenty-three to four (2023-24) No Future Alkyd resin, oil stick, acrylic, ink, linen on canvas with brass eyelets and steel chain 220 x 180 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701806120567-6496HSEEN241JS3VPBGN/13.3.jpg twenty twenty-three to four (2023-24) €scape Plans Recovered steel gabions and electrical wires with acrylic-resin, canvas-wrapped steel tubes 275 x 120 x 60 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701805794561-U1T0B9PSA94XKT9XCRMT/WHITE+NOISE+18+MB.jpg twenty twenty-three to four (2023-24) White Noise Gleaned electrical wires, PVC tubes, acrylic and resin in a steel and aluminium frame 200 x 160 x 8 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701804841846-0G0L5JXAHTVAFQ7P2OA9/SOCIAL+STATIC+18MB.jpg twenty twenty-three to four (2023-24) Social Static Sand infused resin and acrylic on canvas and polyester with brass eyelets and steel chains 200 x 270 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1708039148943-8YS5UU0U21WAV2AHME6N/MASTER++copy.jpeg twenty twenty-three to four (2023-24) Short Circuit Gleaned electrical wires, acrylic & resin in a steel and aluminium frame 64 x 50 x 15 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701806458267-HV79AV5KGLF0E4ODL2GC/11.2.jpg twenty twenty-three to four (2023-24) Recalcitrant Radio Assorted polymer- dipped, canvas-wrapped steel tubes 161 cm - 277 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1704133703580-27HWI4YM4IRGCATPN4Z5/IMG_0602.jpeg twenty twenty-three to four (2023-24) Coping Strategy Painted electrical wires held in a steel frame 100 x 80 x 40 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701806590702-G46O9PL0RF9C43G921WP/18.4.jpg twenty twenty-three to four (2023-24) Cloud 9 Sand infused resin and acrylic on canvas with brass eyelets 50 x 40 cm Part of the Autonomic Ambience Vol 1 solo presentation with Ruttkowski;68, at Pop;68, Cologne, Germany 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1701804530247-5X37BR3QDDJ3JMFUPS6K/10.9.jpg twenty twenty-three to four (2023-24) Chained Alkyd resin, oil stick, acrylic, ink, linen, canvas, brass eyelets, rope and chain 220 x 180 cm Part of the Nouveau Vogue group presentation at LBF Contemporary, London, 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682323638767-KTBXBFCEF3VGQO1JXWM7/IMG_0366.jpeg twenty twenty-three to four (2023-24) Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682323981509-9PA2AVRVXHULY0DVJXCK/IMG_0294.jpeg twenty twenty-three to four (2023-24) Detail from Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324220486-D1176U9YFTX4U8HAI4DA/IMG_0315.jpeg twenty twenty-three to four (2023-24) Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324049766-OE8QAT6ZE1OJCI37DFST/IMG_0016.jpeg twenty twenty-three to four (2023-24) Detail from Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324274609-87Q0PF46Z12I4FPBVGHO/IMG_0033.jpeg twenty twenty-three to four (2023-24) Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1682324098001-O0VWRZCYI8786BXYYVRU/IMG_0021.jpeg twenty twenty-three to four (2023-24) Detail from Synergetic Shelter Gleaned electrical wires, plastic bags, industrial nets, polymer lichen & steel Part of the Unfolding Traces exhibition, The Hangar Gallery, RCA, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691323930234-4GGBXYWM0V4LR2Q8ZM89/MASTER.jpg twenty twenty-three to four (2023-24) Spectre Sand infused resin and acrylic on linen and cotton with brass eyelets and rope 220 x 180 cm 2022 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691313654208-69S8TSE7QT8WCP2ILQJA/IMG_0161.jpeg twenty twenty-three to four (2023-24) Lost Futures Composite of gleaned industrial detritus and electrical wires, treated and held within a recovered mattress, gabion and steel fence armature, with polymer-dipped rods Part of the Royal College of Art MA Degree Show, Truman Brewery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691313773982-XIQSX6QSJJ2I6EIDGAUV/IMG_0153.jpeg twenty twenty-three to four (2023-24) Lost Futures Composite of gleaned industrial detritus and electrical wires, treated and held within a recovered mattress, gabion and steel fence armature, with polymer-dipped rods Part of the Royal College of Art MA Degree Show, Truman Brewery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691313806874-ZEC0WVCTKFSY0D38REQO/IMG_0117.jpeg twenty twenty-three to four (2023-24) Lost Futures (detail) Composite of gleaned industrial detritus and electrical wires, treated and held within a recovered mattress, gabion and steel fence armature, with polymer-dipped rods Part of the Royal College of Art MA Degree Show, Truman Brewery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691313857061-K17T5K45BQBEXO3I77X1/IMG_0174.jpeg twenty twenty-three to four (2023-24) Lost Futures (detail) Composite of gleaned industrial detritus and electrical wires, treated and held within a recovered mattress, gabion and steel fence armature, with polymer-dipped rods Part of the Royal College of Art MA Degree Show, Truman Brewery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691316965389-OZ49BRJEG1MW5GXT6DYA/DSC05828.JPG twenty twenty-three to four (2023-24) Children of the Rave Gleaned electrical wires, ropes and PVC tubes weaved into polyethylene nets and steel fencing, with UV installation 270 x 230 x 230cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691316979237-3W45S9WN9MPR13DVGX7M/DSC05810.JPG twenty twenty-three to four (2023-24) Children of the Rave Gleaned electrical wires, ropes and PVC tubes weaved into polyethylene nets and steel fencing, with UV installation 270 x 230 x 230cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691317381870-6EU6J3KH06LL8P9W7RPR/IMG_0092.jpeg twenty twenty-three to four (2023-24) Drifters (001) Polymer-pressed recovered debris-net with brass eyelets and steel rope 256 x 200cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691317595956-F01BMKBR4DG0L9PPLSWO/DSC05852.JPG twenty twenty-three to four (2023-24) Drifters (001 & 002) Polymer-pressed recovered debris-net with brass eyelets and steel rope 256 x 200cm x 2 Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691317858362-9KEQ5JXT9QJSHO9TCFLY/DSC05744.JPG twenty twenty-three to four (2023-24) Drifters (002) Polymer-pressed recovered debris-net with brass eyelets and steel rope 256 x 200cm x 2 Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691318918857-IYED7QQTZ36AKIH09U3C/DSC05815.JPG twenty twenty-three to four (2023-24) Moral Minimalism (002) Recovered steel gabions containing polymer-dipped, canvas-wrapped steel tubes and rods 290 x 60 x 60cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691318965618-LCFFZHVYTSZD3YENKZJL/DSC05837.JPG twenty twenty-three to four (2023-24) Moral Minimalism (001) Recovered steel gabions containing polymer-dipped, canvas-wrapped steel tubes and rods 290 x 60 x 60cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1691319785022-ZQF05W4VHV3617H90N6A/DSC05841.JPG twenty twenty-three to four (2023-24) Moral Minimalism (001) detail Recovered steel gabions containing polymer-dipped, canvas-wrapped steel tubes and rods 290 x 60 x 60cm Part of the Ghost Notes duo presentation with Carolina Aguirre, at Fold Gallery, London 2023 https://www.christopherstead.co.uk/ghosts-in-the-machine-2025 daily 0.75 2025-09-03 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751488321680-Y9XADH1JEBJL74A9H9LQ/FRONT+COVER.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Ghosts in the Machine documents graffiti and rave subculture in the wake of a post-Thatcher Britain, as a disenfranchised youth finds social cohesion and identity through the act of graffiti. Meanwhile, rave's rhetoric of social inclusion resisted the binaries of boredom, race, class and gender, making it one of its generation's most significant youth movements. Written through the eyes of two participant observers, Christopher Stead and Nema, as well as a foreword by the artist and activist Jonny Banger, the book contains imperfect histories, lucid anecdotes, and subcultural polemics to accompany archival photos that capture the spirit of intervention amid the oppressive political climates of the '90s and '00s questioning if the mass acceleration of communication has led to a freezing of time, leaving both seemingly stuck in a state of hauntological retrospection. Available from: Alias Press Hardback / 32 × 24 cm 360 pages / 2 paper types 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751485196402-5HWU2NAVVP0YH3WMS5MT/image-asset.jpeg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Ghosts in the Machine documents graffiti and rave subculture in the wake of a post-Thatcher Britain, as a disenfranchised youth finds social cohesion and identity through the act of graffiti. Meanwhile, rave's rhetoric of social inclusion resisted the binaries of boredom, race, class and gender, making it one of its generation's most significant youth movements. Written through the eyes of two participant observers, Christopher Stead and Nema, as well as a foreword by the artist and activist Jonny Banger, the book contains imperfect histories, lucid anecdotes, and subcultural polemics to accompany archival photos that capture the spirit of intervention amid the oppressive political climates of the '90s and '00s questioning if the mass acceleration of communication has led to a freezing of time, leaving both seemingly stuck in a state of hauntological retrospection. Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751488321680-Y9XADH1JEBJL74A9H9LQ/FRONT+COVER.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Ghosts in the Machine documents graffiti and rave subculture in the wake of a post-Thatcher Britain, as a disenfranchised youth finds social cohesion and identity through the act of graffiti. Meanwhile, rave's rhetoric of social inclusion resisted the binaries of boredom, race, class and gender, making it one of its generation's most significant youth movements. Written through the eyes of two participant observers, Christopher Stead and Nema, as well as a foreword by the artist and activist Jonny Banger, the book contains imperfect histories, lucid anecdotes, and subcultural polemics to accompany archival photos that capture the spirit of intervention amid the oppressive political climates of the '90s and '00s questioning if the mass acceleration of communication has led to a freezing of time, leaving both seemingly stuck in a state of hauntological retrospection. Available from: Alias Press Hardback / 32 × 24 cm 360 pages / 2 paper types 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751486989071-HN8TO9U3HBO9QQ26BWGH/BACK+COVER.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489010072-T60MXBVE35Q0Q06J7UPC/1.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489080166-HUJGNWT0YY844Z9D77KM/3.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489039698-ZACL3A153RXDPCIV8B1N/7.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489108993-DEE8I692GMRNOZZNN271/11.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489145077-Q6H9K43NB5JHO85PZQVX/17.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489199377-WY2MB1N3LAWVTSTRTZXE/18.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489233587-SYLRUHSSG4XYP8YYYYVF/19.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489274459-EVAA7TJOJPNOLWPHEDQO/22.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/1751489309506-Q46WC3Z08WZ7N6HJ0IB3/23.jpg ghosts in the machine (2025) Ghosts in the Machine : the Hauntology of Graffiti and Rave culture 1990 - 2010 by Christopher Stead & Nema Designed by Studio Aurèle Sack, the book is also available as a limited edition package containing a signed copy and print by Nema. Available from: Alias Press 360 pages, Hardcover Two different papers types English text 24 x 32 cm 300 colour photographs ISBN: 978-90-81710-15-2 https://www.christopherstead.co.uk/new-gallery daily 0.75 2025-10-29 https://www.christopherstead.co.uk/bio daily 0.75 2025-11-26 https://images.squarespace-cdn.com/content/v1/59e3c0c9aeb6251a433583d0/11812bc9-82f8-4bba-b2e8-5e17524b7965/BZFV6687.jpeg info. Installation shot from the Pigeon Park exhibition Manor Place, London 2021